Sunday, January 29, 2017

Understanding Tolkien: Christianity



Of all the influences on Tolkien’s life and work his faith was not only the most important, but the earliest to appear.  When his mother brought him back to England from Africa after the death of his father she returned to the Catholic church, an act that resulted in her near banishment by the rest of the (mainly Baptist) Tolkien family. When his mother died only a few years later, Tolkien believed it was at least in part caused by the struggle of taking care of him and his brother in the absence of any help from her family. He thus saw his mother as a sort of martyr, who worked herself to death rather than abandon the Catholic Church. After his mother’s death, both of the Tolkien boys were raised by Father Francis Morgan, who had been a good friend to Tolkien’s mother and continued their education, having a profound impact on the rest of Tolkien’s life.
As we have seen, Tolkien was presented with two very different views of the world, the modern and the ancient, each contradicting the other in how they perceived evil, progress, fate, and much more. Tolkien believed that the men and women of both eras were making honest observations, but missing important facts and details skewed their understanding. The ancients, glorifying the epic hero, missed the human propensity to misuse power, while the modern world, blinded by atrocities and the resulting cynicism, failed to appreciate the heroism that mankind can achieve.  In Christianity, Tolkien had a timeless reference through which to view these conflicting viewpoints and see that, in many cases, they viewed opposite sides of the truth to the exclusion of the whole truth.
                In his treatment of evil Tolkien shows us a force that is powerful and real, in agreement with the ancient stories and the modern World Wars, but in contrast to many of the pacifist arguments of his age. Tolkien’s heroes face evil both from within their own ranks and from the forces of the enemy. There are two places where this can be seen most clearly, Amon Hen and Pellenor Fields. In each case, the forces of good are handicapped by actions from within their own ranks before being assaulted by overwhelming attacks. At Amon Hen, Boromir tries to take the ring from Frodo, convincing him that the Fellowship cannot be trusted and effectively breaking the Fellowship of the Ring. At Pellenor Fields, the actions of a despairing Denethor pull Gandalf away from the fighting, removing the one person capable of withstanding the Witch-King of Angmar.
Both Boromir and Denethor should be heroes according to the ancients, rising above such despair and overpowering all who stand before them. According to the moderns their fall should signal the beginning of the enemy’s victory. But neither occurs. In each case the actions another are able to stall the effects of their defeat. In contrast to Boromir’s claim that he is more worthy to bear the ring, Aragorn sacrifices himself to protect the halflings, and at Pellenor Fields, instead of cowering in the face of the Witch-King, whom he cannot hope to match, Theoden charges onward, rejecting the despair which Denethor has embraced. Aragorn and Theoden each face similar temptations as their counterparts but reject them, for Tolkien understood that the evil within is powerful, but not invincible.
Sauron himself is no easy foe, to be understood or reasoned with, but neither is he nor the evil he represents the final predetermined end of the world as in Ragnarok or as some pessimists in the modern age would have us believe. Evil is a threat to man from the inside, as those of the world war recognized, but it is not an insurmountable threat. The great error of paganism, as G.K. Chesterton pointed out, is that it puts things out of place, either making them more than they really are or disregarding them entirely. What has made Tolkien such a powerful voice about evil, and nearly every other topic, over the years is that he puts things in their proper place.

               
                Fate is one of the things Tolkien believed everyone had gotten a piece of, but lacked a whole. We speak of ‘chance’, the ancients spoke of ‘Wyrd’ and nobody seems exactly sure what is going on behind it all. Tolkien believed he did.  One of the fascinating things about Tolkien is his use of details and asides to make veiled references to one grand theme or another. One of these is Tolkien’s habit of qualifying any reference he may make to chance. As Tom Shippey points out
‘Tom Bombadil says, when he rescued the hobbits from Willow -man ‘Just chance brought me then, If chance you call it’ (my emphasis). Ruin was averted in the North-lands, Gandalf says in appendix A (III) ‘because I met Thorin Oakenshield one evening on the edge of Bree. A chance-meeting, as we say in Middle-earth’ (my emphasis again)
The resulting picture that emerges, in combination with this and other references such as Gandalf’s remark that he was ‘sent back’, is of a higher power directing the events in Middle-Earth. Further examination of Tolkien’s writing shows that these and others are references to the Valar, the heavenly beings of Tolkien’s world, who are ruled by Eru, The One.
In the ancient world, fate was an impersonal, irresistible force that could be influence only slightly by the ‘undoomed man’, while in the modern world it is either ignored or seen in a similar manner. In Christendom, however, we see Fate as the will of God misunderstood by the blind. In Midgard, fate overpowers human choice and makes it as nothing, while under Christ, the will of God enables human choice, and frees us to reap the rewards of our choices.
                The fulfillment of these two beliefs can be seen in Tolkien’s treatment of the ‘little people’. The Hobbits are referred to as little people, but this can also refer to the nameless, faceless, and seemingly unimportant characters throughout the story. A central tenant of Christianity is God’s use of those the world holds in little regard, and in Lord of the Rings the fate of Middle-Earth, of the great kings and noble elves, of the great cities and ancient dwarves all rests on the actions of two lonely hobbits.  Frodo and Sam are successful in part because they are ‘little people’ and are overlooked by Sauron who is focused on the ‘great people’ in Middle-Earth. Even until the last he cannot comprehend of the hobbits as being anything more than spies.
Lord of the Rings could not have been written by someone like T.H. White, who saw in humanity only unending evil that joyed in destruction and pain and was futile to resist. Nor could it have been written by the Norsemen, who struggled to understand how a carpenter who did not pursue martial glory could save the world. So too did the modern world struggle to understand how such selflessness and humility could avail against the evil that so overwhelmed them. Frodo is a uniquely Christian hero, at once free from the terrible oppression of omnipotent evil yet at the same time enslaved to the unyielding standard of goodness in contrasts that a pagan world cannot help but admire even as it is baffled. 
Christianity allowed Tolkien to create a balanced world, one that included both good and evil, pain and beauty, joy and sorrow in a way that resonates with the world we live in. Tolkien does not turn a blind eye to the suffering of the 20th Century, nor does he attempt wish it away with easy pleasures. Middle-Earth, in it's reflection of our world, offers hope amidst the sorrow while reminding us that we are not alone. 
And that is ultimately what makes the Lord of the Rings such a great story, it portrays the Truth of good and evil.

Friday, January 27, 2017

Favorite Reads this Week

Interesting Article


What Should We Do With The Violence In The Iliad On The Circe Institue
This is one that I'm going to have to re-read several times. Bret Saunders looks at the colossal violence in the Iliad and the way that Homer presents it in contrast to the peaceful life that Troy could have enjoyed. It has often been noted situational irony that Homer employs to frame the war, such as Diomedes and Glaucos exchanging armor in an echo of the lopsided trade that Troy has made for Helen, but I am intrigued by Saunder's description of the three types of similes Homer uses to highlight the tragic dichotomy. I may revisit this later on one day (the Iliad is one of my favorite poems), but it is an excellent read. I would be very interested to hear thoughts from you all on Saunder's piece and the Iliad in general.

Favorite Blog Posts


How To Find Time To Read More On Paper Fury
A quick and humorous take on how we can be more intentional about spending time reading. It is easy to get caught up in the fun and ease of social media, movies, and video games. If we want to read, we've got to be intentional about it.

Christ Is Write
So this isn't a blog post, but a blog in it's entirety that I stumbled across this week and have been reading through. Lots of very interesting stuff, especially for those interested in writing. I highly recommend that you look it over. Tessa Hall is currently in the midst of a series on navigating the publishing industry that looks very thorough and helpful.

and finally...
The Martin Hospitality Cover Reveal on The Left-Handed Typist
My friend Abigayle has just released the cover for her upcoming novel Martin Hospitality, which will be available February 4th! I'm really excited about this, as Abigayle has not only been kind enough to let me pick her brain about a cornucopia of subjects and her experiences in writing this novel, but has been willing to let me share some of her insights her. Next week, I'll be doing an author spotlight with Abigayle to talk in depth about her experience getting published and the process that went into her book.


I'm still putting the finishing touches on the next Tolkien article, and will hopefully have it up tomorrow. The more I dig and try to understand Tolkien, the more complexity and nuance I find. Hope you all have had a wonderful week and are ready for a restful/productive weekend. Let me know what you read this week that you enjoyed and found helpful!

Tuesday, January 24, 2017

I'm Back!



Welcome back! It is an unfortunate fact that at time work and life get in the way of a good blog, such is life. For those of you who have been anxiously waiting for the next part of my Tolkien series (I’m sure there’s one of you out there), that will be up this weekend.
                I’m very excited about some of the stuff I have coming up; An author spotlight with a brand-new author, a few articles I’ve been punting around, and my next short story hopefully available in the next couple of months.
                Since it’s been awhile, here’s a quick look at where we are at with the Tolkien series to prime the pump for Saturday. In Tolkien and the Ancients, we looked at how the Northern societies viewed fate and mankind’s relationship to it as a sort of half understood paradox of Free Will and Predestination, along with their view that Evil is primarily an outside force acting upon mankind. In Tolkien and the Great Wars, we saw the opposite view of Evil prevalent among Tolkien’s contemporaries, it was primarily an internal force corrupting mankind from the inside out.
                In Tolkien and Christ, I want to look at how Tolkien saw evil in the context of Christianity, a force internal and external, but neither the unstoppable force as his contemporaries thought, nor the ultimate end as the ancients saw it. Christianity allowed Tolkien to see things such as progress and fate in their proper place, forgoing vain hope and refusing to submit to ultimate despair.
                So, hopefully things will run a little smoother for the next few months and I can have a few things worth your time. I look forward to talking with you all in the days to come!

Friday, October 28, 2016

Favorite Reads This Week


Hope everyone has had a wonderful week and is ready for a relaxing and/or busy weekend (I have a LOT of planning to do before Tuesday...). Unfortunately, I've been rather swamped at work this week and don't have a terribly long list of fun stuff to read for this weekend. So, here's a very few that I've enjoyed and hopefully kick your weekend off right.

Blog Posts

My Fear as a Writer on The Left-Handed Typist

A really, really interesting look at the importance of getting outside ourselves as writers. It's easy to retreat to a quiet room, the corner of a coffee shop, a lonely cabin in the woods, and immerse ourselves in writing. That leads to what I call "Ivory Tower Writing" and is incredibly dangerous. It is important for us to be involved with those around us and live life. It reflects in our work.

How to write a successful first draft (Without Stabbing Yourself In The Eye With A Spork) on Paper Fury  

A good read on building first drafts and a little motivation as we get ready for NanoWrimo. I'm always inspired by reading about how other people write, and while everyone has their own unique rituals and ways of going about writing, there's usually something that encourages me in seeing how other people write. It's also good to be reminded that first drafts are just that, the First (meaning more to follow) Draft (meaning unfinished product with a lot of work to go. Emphasis on UN-finished).

Writers Block and How to Vanquish It on Fishing For Ideas 

A good brief look at how to get over writer's block. I'm sure it'll happen to me at least once during NanoWrimo, and these are some really good tips. Review your planning and Keep Writing are the two big ones that I've found successful, the only thing I would add is READ. Your mind needs grist for it's mill, and if you don't read a lot, you are going to have trouble writing new things. If I get really, truly, utterly stuck, I'll go flip through Rosemary Sutcliff or Thomas Shippey and then dive back in. But seriously, Keep Writing is the most important one.


Interesting Article

Translation and the Classical Mind on the Circe Institue

An interesting article on some of the debates on translating for readers, and how much the translator really does control the text. This is looking at the philosophical writings, and how rendering important words can change or alter the meaning of the text and the experience of the reader. One reason I think it is important to at the very least, study other languages, (like Latin) to gain an understanding of how words change as they cross language barriers.

Wish there were more, but like I said, there hasn't been a lot of reading going on this week. Hopefully that will change next week. Check back for the next Tolkien Article tomorrow, where I'll look at how Tolkien's Christianity allowed him to reconcile and understand a lot of the issues presented by the Great Wars and the Ancients.
If you haven't already, check out my Author Facebook Page, I'm hoping to put up some videos during NanoWrimo, kind of like a vlog, but not really. I'll also be posting some stuff there as I get ready to announce my next story soon. Can't wait to tell you all what it's about, when it'll be out, and let you in on some of the work it takes to get it ready (Spoiler: there are watercolors).
Thanks for reading, don't forget to leave a comment, and have a wonderful weekend!

Monday, October 24, 2016

NanoWrimo!

So I'm a hair late on this one, but I've decided to give NanoWrimo a go. Most of you are already familiar with National Novel Writing Month, but for those of you who aren't, it is a novel writing challenge in the month of November in which we will attempt to write a 50,000 word novel. To that end, here is what I'm going to try my hand at!

http://paperfury.com/beautiful-books-2016/


questions
  1. What inspired the idea for your novel, and how long have you had the idea? 

    The idea is one I've had fairly recently, after I finished Dragon of Kveldmir, I looked back and started wondering where Farndrang came from. The sword itself I wrote into the story several years ago, and while it originally was forged by the stranger, that just didn't feel right. So, then, when it was determined to have come from Karik, I started to wonder what his story was.
    Something clicked while I was watching the most recent season of the History Channel show Vikings. Ragnar Lothbrook, to me, shares a lot with Macbeth and Turin from Tolkien's The Children of Hurin. All three are tangled in fate, are presented with impossible choices, and  trapped by their decisions. So I wanted to explore the idea of fate or, as the northmen would call it, Wyrd. Do we have a choice? Are our choices between success and failure, or failure and worse failure? What did Beowulf mean when he said "Fate often spares the undoomed man, but only if his courage holds". What if his courage holds? What if he IS doomed, and his courage still holds? Would that be better than if he was doomed and his courage did not hold?
  2. Describe what your novel is about!

    Vrania is a large, cold island not unlike Scandinavia with long winters and short harvests. After being sent out from their village due to famine, the young men of Ydnara go to make their own way in the world. One of them, Karik, has intentions far beyond surviving. For what happens next, I borrow from The Welsh Triads (lists of threes) and present the Triads of Karik:
    These are the three great deeds of Karik Haldsson,
    First the slaying of the dragon, for the renown it brought him
    Second the sailing of the underwaters, for the wealth it gave him
    Third the sailing of the Black Isles, for the destruction it brought about

    These are the three Great Ladies of Karik,
    First Elva, his mother, for the courage she gave him
    Second Ylmi, his wife, for the strength she nurtured in him
    And Third the lady Lysa, for the sons she bore him

    These are the three Great Warriors of Karik,
    Revik, whom none could withstand,
    Igil, whom none could outwit
    And Karik Kariksson, whom none could defeat.

    These are the three great tragedies of Karik
    First the Curse of the Dragon, for the doom it laid on him.
    Second the falling out he had with Ylmi
    And Third the Poisoning of Karik Kariksson

    These are the three great blades of Karik,
    Ulfbite, which was given him by his mother
    Farndrang which he took from the Dragon
    And Viper, the short sword he forged for himself.
    And before you ask, no I'm not entirely sure how all those are going to play out, but I've got a good idea on most. 
  3. What is your book’s aesthetic? Use words or photos or whatever you like!

    My aesthetic....hmmm...very Viking with a hint of Dane. It will be in keeping with the style I used in Dragon of Kveldmir, but I've got a few new things I want to try out. Got to keep trying new things!
  4. Introduce us to each of your characters!

    There's too many to fully introduce (in the tried and true tradition of the Sagas), but I'll introduce the first three. Karik is a young man who has watched his family and settlement starving since he was old enough to notice. He believes that there is a way his people can live without death constantly hovering over them. Revik is a great fighter, he and his brother Igil were better off than Karik's family, but now all three are sent out with the young men of Ydnara to make their own way in the world. Karik has plans for this....Karik always has a plan.
  5. How do you prepare to write? (Outline, research, stocking up on chocolate, howling, etc.?)

    My writing preparation boils down to three things...Draw a map. Start the coffee. Re-draw the map. Plan. Drink all the coffee. Make a new plan. And on and on Ad Infinitum.
    Also lots of Youtube Playlists. You ever tried playing two videos at the same time? 4 hours of campfire noise over Light of the Seven for 4 hours? It's pretty relaxing and focusing. Though occasionally I'll get wrapped up in trying to create the perfect ambience and then...well...oh bother.
  6. What are you most looking forward to about this novel?

    I'm looking forward to having fun with Karik. I think he is going to be a really fun character to write, and I think that the adventures he's going to go on will be a challenge to really write properly.
  7. List 3 things about your novel’s setting.

    It's cold, except where it isn't. It's dangerous everywhere. And the whole thing takes place inside of one house. 
    Figure out that riddle if you can. 
  8. What’s your character’s goal and who (or what) stands in the way?

    Karik wants to make a new life for his people, one of plenty without all this starving and fighting over food. There's three things that stand in his way in increasing order of difficulty. First, no one has sailed through the black Isles for hundreds of years, those who have tried got smashed to kindling in the ice, burned alive by lava, or smashed to kindling on the rocks. Second, there's a fair number of kings and jarls who are just fine with how things are in Vrania and would rather Karik didn't upset their rule by finding new lands and such. Third is fate, in the form of the Dragon curse (which some of you might remember being mentioned several times in The Dragon of Kveldmir). The Dragons do not like Karik. 
  9. How does your protagonist change by the end of the novel?

    This is something I'm working on. Not entirely sure how Karik will react to getting punched in the face by fate at a an alarming rate. I think part of it will depend on how his relationship with Igil and Ylmi shape up. 
  10. What are your book’s themes? How do you want readers to feel when the story is over?

    Adventurous. Defiant. Ready to go do great things. That's always been the point of a lot of my writing, I want people to get up from it thinking a little bit, encouraged to go do great things themselves. And also hopefully intrigued enough to read some of my other stories. 

    So...there you have it. The Tale of Karik Haldsson. If you haven't read The Dragon of Kveldmir, check it out for a few mentions of who Karik is and what he's done. There will be more allusions to the good Karik as well as new info on Vrania and the Black Isles coming soon...but that announcement is still a few days out...

    To make sure you don't miss this upcoming announcement, and to see my NanoWrimo updates and musings and encouragements, head over and like my Facebook Page! I am planning on doing a few short videos during NanoWrimo, might even give Facebook Live Streaming a try...we'll see. Any way, check it out, give me a like if you've got a spare one lying around, and have a wonderful day!

Saturday, October 22, 2016

Understanding Tolkien: The Ancients


                Tolkien was more than just a soldier. He was a scholar as well, and this allowed him to contextualize his experiences against the backdrop of history. Today we will look at the ancient, and largely northern, legends and sagas that Tolkien read and studied for much of his professional life.
                There are three main things that Tolkien saw and wrestled with in the ancient lore he studied. First, evil in the old world, it’s pervasiveness and position was in some ways not unlike the images that came out of the Great Wars, but in some ways very different. Second, the concept of fate, or as the ancients called it, Wyrd. Thirdly, in the old stories, there is a sense of looking back and trying to make sense of information that Tolkien felt he could do better.  
 If you are not familiar with the Norse legends and sagas, it is important to understand they live against a backdrop unlike any other. The Greek Gods kept the Titans at bay, and Christians look toward the return of Christ and eternity in heaven. There was no such triumph in the North. Ragnarok, the Twilight of the Gods and the end of the world awaited them. The world ended in fire and darkness, with no visions of paradise beyond. To get a sense of what Ragnarok meant, watch this short clip from the History Channel show Vikings, where a newly arrived monk asks what Ragnarok is.

               

And of course, northern lore is filled with all sorts of monsters and dragons from Grendel to Fafnir on top of the ice giants and everyone else waiting to crash the whole world burning party. In a way, this is not too different from the omnipresent evil that Tolkien saw through the 20th Century. There is however, a major difference.
                Whereas the Twentieth Century saw evil arising primarily out of man (an internal threat), the ancients saw it primarily as coming from beyond man, from the outside. To be sure there were outlaws and oath breakers, the ancients were under no illusions about the nature of man, but these men were not seen as world breakers the way that 20th Century man saw himself. This is an important difference in determining how you look at and understand evil. More will be discussed on this next week when we look at how Christianity allowed Tolkien to understand and in many ways resolve the contradictions between the ancient and modern experiences.
                Before we go farther and jump into the tangled concept that is Wyrd, take ten minute and watch this short summary of Beowulf. Seriously, it’s important and I think you’ll enjoy it.  




Wyrd is an interesting concept.  It is similar to our concept of fate, but more nuanced and less understood. The best way to look at it is to examine a quote I have mentioned before, Beowulf’s remark that:

…Wyrd oft nereth
Unfaegne Eorl, thonne his ellen deah

…Fate often spares
The Undoomed warrior, When his courage holds (my translation)

A purely logical academic might point out that, strictly speaking, this is nonsense. Of course fate spares the warrior who it spares, it is axiomatic. Why then, Tolkien might have responded, does Beowulf add the qualifier “When his courage holds?”. If it is necessary for his courage to hold, what happens to an undoomed man if his courage doesn’t? Conversely, what happens to a doomed man whose courage holds.
                What emerges is a sense that an individual’s actions are important in determining, in some way, the outcome and our fate, but not completely. For a sense of how this plays out, let’s examine one of the more interesting discussions about Beowulf: Who is the better ruler, Hrothgar or Beowulf?
                Both achieve their crown through martial prowess, both keep their people safe (the sacred duty of northern kings) until they are challenged by a terrible monster, Grendel for Hrothgar and the dragon for Beowulf. Both are vitally important to the peace of their kingdoms, the poet mentions that after Hrothgar dies the peace treaty falls apart and his people are destroyed and also that with the death of Beowulf, all the surrounding nations that had been cowering from the warrior all return to destroy Beowulf’s kingdom. But here is where they differ, Hrothgar calls for aid to deal Grendel, thus surviving and securing several more years of peace and prosperity for his people, while Beowulf fights the dragon himself and is killed, dooming his people.
                Some point to this as evidence of Hrothgar knowing his limits, others point that it highlights the no-win situations many heroes are placed in. But if fate is predetermined, if the destruction of their people is inevitable, does it matter what their choices are? Many modern academics would argue that it doesn’t, and that was a prevailing view for many coming out of the Great Wars, but Tolkien believed that the poets would disagree, and that they were right to do so.
                This leads into the third point, the looking back. I believe that Tolkien felt he was looking back to the ancient poets that we still have in the same way that they looked back on their predecessors. This is characterized by two things. First a lack of “chronological snobbery”, as C.S. Lewis described it, and second a certain puzzled confusion over things that did not make sense.
                It is an interesting literary fact that ancient literature looks back quite fondly on history. Whereas the 20th Century is characterized by a disdainful neglect of the past as it rushed on toward utopia, the old poets look nostalgically back to a time when men were stronger, women wiser, and all things better. More will be said about this also next week, but it is important because it gives the past a voice. Modern skeptics, having rejected the past, had neither the context in which to put the horrors of the 20th Century nor the perspective to evaluate mankind as he stood among the rubble. This abbreviated vantage point allows views to swing wildly between man as a god building utopia to man as a demon, the agent of his own destruction.

The puzzled confusion will be apparent to those who have read much of the legends. Ancient authors ideas appear vague on some subjects or confused on others. Take the tale of Sigurd and Fafnir for instance. Sigurd refuses to tell Fafnir his name, lest he be cursed. Yet only a few stanzas later, Fafnir is apparently well read up on Sigurd and all his exploits, and no curse is forthcoming.  
                Yet, as a philologist, Tolkien also was able to pick out more subtle confusions. Take for instance, this excerpt of the list from the Dvergatal (Tally of the Dwarves) in the poem Voluspa.

"Orinn, Onarr, Oinn, Miothvitnir,
Vigr og Gandalfr, Vindalfr, Thorinn
Fili, Kili, Fundinn, Vali…"
                On an initial reading, one’s eyes can quickly get bored and float over them, but as Thomas Shippey points out in Author of the Century, what is Gandalfr or Vindalfr doing on this list? They contain the element alf, meaning elf which is “a creature in all tradition quite distinct from a dwarf” (16). Tolkien apparently interpreted Gand as staff or wand, leading to a staff-elf, and it is not far from there to a wizard.  
                There are countless other instances where we could walk through such oddities that gave rise to Tolkien’s creations, many of which are attempts to make sense of things like Gandalfr. But those shall be addressed another time, in another post. My point here is to try to give you a glimpse of what was working in Tolkien’s mind as he created.
                It may seem like I’m leaving a lot of loose ends floating around, and I am, they will be pulled together soon, but hopefully a picture is starting to emerge. Next week we’ll look at how Tolkien’s faith allowed him to pull together and understand the contradictions between the moderns and the ancients.  Leave a comment (or comments) and let me know if I’m missing something you’re curious about and I’ll see about plugging it in.
                Also coming up next week, I’ll hopefully be ready to introduce my project for NanoWrimo (hint, the main character is mentioned but not met in Dragon of Kveldmir). Thanks for reading, don’t forget to follow my blog, and have a wonderful weekend!
 



Here is the link to the Youtube Channel Overly Sarcastic  Productions, where I got the Beowulf summary. I think I found my new favorite channel.